Peter Massin

Featured In progress Studio Colletti Teaching

UE Vertiefung Hochbau: Protoypenbau

Course No.: 848158 – 0
Teaching: Peter Massin

Lines of Power: Revisiting Sullivan’s Ornament Through Making

In diesem Wahlfach beschäftigen wir uns mit der Neuinterpretation der komplexen architektonischen Zeichnungen von Louis Sullivan, insbesondere seinen 20 Plates aus der Publikation Ornament According with a Philosophy of Man’s Powers von 1924. Die Studierenden rekonstruieren diese hochkomplexen Morphologien mithilfe digitaler Entwurfswerkzeuge und setzen sie anschließend mittels CAM-Fertigungsmethoden wie Lasercutting oder 3D-Druck in physische Prototypen um. Ziel ist es, ein vertieftes Verständnis für die … more

Featured In progress Newsflash Studio Colletti Teaching

EM1 Alpine Futures: Regenerative Design for Resilient Landscapes

Course No.: 848155
Teaching: Georg Grasser & Catalina Tripolt & Peter Massin & Theresa Uitz & Daria Smakhtina

Das Entwurfstudio widmet sich der radikalen Auseinandersetzung mit der alpinen “Schutzhütte” als einer Architektur am Rand der Bewohnbarkeit. Anhand bestehender Hochgebirgshütten sollen Konzepte der Umnutzung, Transformation und Reparatur entwickelt werden, anstatt Neubauten zu planen. Ziel ist es, angesichts von Klimawandel, Materialknappheit und ökologischer Verantwortung Strategien des zirkulären Bauens, der Materialintelligenz und Ressourcenschonung zu erproben. Die Hütte wird dabei nicht als Komfortzone verstanden, … more

Completed Featured Studio Colletti Teaching

E3 Materia Chimera: Smudge and blend – A transcycling studio

Course No.: 848136

Team: Prof. Marjan Colletti | Catalina Tripolt | Peter Massin | Oliver Hamedinger

“The most environmentally benign building is the one that need not be built because it already exists” (Grammenos and Russel, 1997)

“The greenest building… is the one that is already built.” (Elefante, 2007)

Retrofitting, renovation, conversion, modification, alteration, reorganization, upgrading and enhancement of existing buildings are crucial strategies to achieve the UN’s Sustainable Development Goals (SDGs) in architecture and building construction. However, there are … more

Postdigital Neobaroque Publication Research REX|LAB

Postdigital Textrin @ eCAADe 2024

Morphology and Ornamentation: Robotic fabrication of a biocomposite relief

Authors: Peter Massin, Kilian Bauer

Acknowledgements:
The design-build case study Postdigital Textrin has been conducted as part of the research project Fragmente postdigitaler Ornamentik, funded by Early-Stage Funding 2022. With support of the Department of Experimental Architecture and the Architekturwerkstatt, Universität Innsbruck. The project’s principal investigators were Peter Massin and Kilian Bauer. The affiliated student workers are Theresa Biesalski, Amy Ehinger, Simon Hildebrand, Christopher Walch, and Lukas Wolf. … more

Postdigital Neobaroque Projects 1:1 Research REX|LAB Studio Colletti

HOPE: Hybrid, Organic, Postplastic Environments

A holistic, ethical, and sustainable approach to home design and living environments

REX|LAB @ Ars Electronica Festival 2024

Team: Marjan Colletti, Kilian Bauer, Catalina Tripolt, Daria Smakhtina, Peter Massin, Andreas Körner, Georg Grasser

Student workers: Simon Hildebrand, Theresa Biesalski, Tobias Niederholzer, Christopher Walch, Anna D´Eredità

‘Postplasticism’ departs from the rigid geometries of Neoplasticism: the austere, geometrical, abstract style labelled by Mondrian one century ago, which focused on strict, geometric forms and primary, applied colours. Postplasticism embraces a more ornate, organic, … more

PhD Research Studio Colletti

On the Constitution of Ornament in Architecture

Historiography, Present and Morphology

Dr. Peter Massin

PhD thesis

DOI: http://10.25651/5.2022.0001

Rigorosum 01.07.2021.
Link to event: https://www.uibk.ac.at/fakultaeten/architektur/news/phd-defence-peter-massin.html

This dissertation investigates the object-like ornament in architecture and examines its historiographic and contemporary constitution in design practice. The work is therefore both theoretical and applied. The topic of the dissertation, the ornament, is positioned at the heart of architecture and thus also amidst a cultural and technological debate, the social significance of which has become increasingly noticeable in recent years. The field … more

Studio Colletti

TRAITS Exhibition

Organised by the research group PDNB. Funded by the FWF-PEEK (Austrian Science Fund, Programme for Arts-based Research), led by Prof. Marjan Colletti at the Department for Experimental Architecture, Universität Innsbruck, Austria.

Conference
Schedule
Day Tickets
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Infos for Speakers

Exhibition

6-11 December 2022
Foyer, Architecture Building
Faculty of Architecture

The Exhibition was organised as a side event to the TRAITS of Postdigital Neobaroque International Conference 2022 in Obergurgl from 7-9 December. It showcased selected projects developed in the … more

Completed Studio Colletti Teaching

Super High-Res Assembly II

Prodigal Digitality – An Efflorescence of Fine Arts in postdigital Architectures

Team: Marjan Colletti, Peter Massin, Galo Moncayo Asan

„Super High-Res Assembly II – An Efflorescence of Fine Arts in postdigital Architectures“ wird sich thematisch auf die exzessive postdigitale Sanierung eines urbanen Bestandskörpers (Trägers) konzentrieren. Das Thema reagiert nicht nur auf ein akutes gestalterisches Ungleichgewicht in der gegenwärtigen Baukultur, sondern wird einen konkreten Vorschlag für ein postdigitales Bekleidungsprinzip erarbeiten. Beziehen kann sich die Bekleidung auf die Fassade oder auch auf … more

Featured Research Studio Colletti

TRAITS Conference

Organised by the research group PDNB. Funded by the FWF-PEEK (Austrian Science Fund, Programme for Arts-based Research), led by Prof. Marjan Colletti at the Department for Experimental Architecture, Universität Innsbruck, Austria.

‘Face it – the Digital Revolution is over.‘

 (Nicholas Negroponte, Beyond Digital, 1998)

In his 1992 book Neo-baroque: A Sign of the Times Italian semiologist Omar Calabrese suggested that the post-modern 1980s were infused with a pervasive neo-baroque spirit of ‘instability, polydimensionality, and change‘, which could be witnessed … more

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